There comes a time in your life when you have to think about what is important to you and what happens when those things are jeopardized. In An Accidental Affair by Eric Jerome Dickey, the protagonist, James Thicke, finds himself in just such a situation. James is a screenwriter deeply in love with his wife, Regina Baptiste, an A-List Hollywood actress. Then he receives an email which rocks him to the core.
Included with the e-mail is a video clip of his wife and an actor, Johnny Bergs, in a compromising situation. James goes ballistic at first, attacking Johnny in front of cameras. Both the original video and the new footage of the fight are released on the Internet where they spread like wildfire.
James decides to distance himself from the situation by leaving Hollywood and the controversy behind. Down the road, in the small town of Downey, he takes up residence in a dilapidated apartment complex. The tenants James meets there, many of them women, have as many or more problems than he does. Before long, James finds himself entangled in the web of lust, deceit, and blackmail that envelope the neighborhood.
This book reminds me of many that I have read before, such as Mr. Dickey’s previous novel, Milk in My Coffee. I like his writing style because he makes you feel all of the emotions that the characters are feeling by the way he plays with words. If you are the type of person that likes to jump right in to the action of the story, this may not be the book for you.
The book was well written and if you like intrigue and intimacy there is enough of it here to last a lifetime. Mr. Dickey has done a good job with this one and if you get a chance to read it, I hope that you enjoy it.
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Or are you interested in finding out more about the songs or artists mentioned in your favorite novel?
Then you should check out our sister blog, LFPL's Music Corner!
There you will find:
• The current month's visual display of a music theme.
• Links to the the Library's catalog for browsing music by genre.
• A list of LFPL's New Sound Recordings.
• Links of interest about music.
• A staff pick of music selections or music-themed videos.
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“There is a light that never goes out.” – Morrissey and Johnny Marr
First and foremost, Mozipedia: The Encyclopedia of Morrissey and The Smiths by Simon Goddard is one of the most serious compendiums of pop music information that I’ve ever read that wasn’t simply a record guide. This work on the life of Steven Patrick Morrissey, former lead singer of The Smiths, is incredibly dense and comprehensive in its coverage of his life, works, influences, opinions on miscellaneous subjects, and cultural impact.
However, this is not a traditional biography. It is an encyclopedia and as such it is has the extra benefits that a biography lacks. While each entry has a kind of narrative, there is no running narrative for the entire work. Information is laid out in alphabetical order and cross-referential terms are in bold letters, allowing the reader to skip around the tome where his or her interest in a topic leads rather than hoping all will be revealed in the end.
Goddard has not written the entries in a typically boring academic manner. By which I mean a manner that lays out facts as if bones found at an archeological dig, bare and blanched in the sun. No, he is often trying to make those bones dance. As he writes in the prefacing section titled “Mozingredients,”
“Great art such as [Morrissey’s] defies dispassion and should never suffer the fate of fusty objective analysis.” (p. ix)
Take for instance, the matter of the song meanings. Goddard not only explores the lyrics themselves but also the impact that a song has on him personally. For example, when discussing the B-side, “There Speaks A True Friend,” he writes,
“Despite vain efforts to enliven it with guitar solos and a weird, abrupt ending (Morrissey’s idea as he didn’t like its original prolonged outro), it remains an inconsequential leftover.” (p.443)
Gems like this are sprinkled throughout asserting that Morrissey’s songs are witty, duplicitously simple story pieces with multiple layers of emotional truth. Some of the stories are well executed and resonant while others simply do not work out.
Mozipedia also includes sidebars of topics deemed particularly key to the reader’s understanding, a gallery of pictures, an extensive bibliography, and a full discography in chronological order of both The Smiths' and Morrissey’s solo releases. If there is any criticism to be given, other than on matters of taste in music, it is that the work is almost too much (as it spans over 500 pages). I have had to put it down for stretches of time in order to reasonably absorb what I have read. But like the light in this review’s epigraph, my interest in this book never seems to go out.
If you are interested in perusing Mozipedia, click here to reserve a copy.
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I picked up Prague Winter because I am interested in Czechoslovakia. This is a well-told story of one Czech who later became a very influential American. If it is a curse to have been born in interesting times, Dr. Albright was certainly well and truly cursed. But, as in the best fairy tales, the curse was balanced by having been blessed with wonderfully prescient parents who stayed one step ahead of events and kept their little daughter safe. The nation of their birth, Czechoslovakia, did not fare as well during the twentieth century. The author has woven a nuanced tale of her own childhood place within the story of the fate of her homeland from 1937 to 1948.
Her father's career as a diplomat gave the family some agility which others in those years probably lacked. Thus, the family spent the years of World War II with the exiled Czech government in London. After the war, with her father assigned to the Czech embassy in Yugoslavia, they were once again able to keep a step ahead of the communist takeover in Czechoslovakia and seek asylum in the U.S. By such roundabout paths is a future secretary of state made!
This book is rich with detail and, because of the personal aspects of the story, you feel as if you were there. I think most people are familiar with the outline of the history of World War II, but Dr. Albright includes many accounts of the heroism of ordinary people about which we have not previously heard. There are stories of the famous and of the unsung, and I was struck yet again at the absolute horror of those years. Dr. Albright says it so much better than I ever could in some of the concluding remarks to her book:
"Given the events described in this book, we cannot help but acknowledge the capacity within us for unspeakable cruelty or--to give the virtuous their due--at least some degree of moral cowardice. There is a piece of the traitor within most of us, a slice of the collaborator, an aptitude for appeasement, a touch of the unfeeling prison guard. Who among us has not dehumanized others, if not by word or action, then at least in thought? From the maternity ward to the deathbed, all that goes on within our breasts is not sweetness and light." (p. 413-414)
She then goes on to quote Vaclav Havel's perception of this human quandary:
"...Amid the repression of those [Cold War] years, he discerned two varieties of hope. The first he compared to the longing for 'some kind of salvation from the outside.'...'On the other end of the spectrum', said Havel, there are those who insist on 'speaking the truth simply because it [is] the right thing to do....' " (p. 414)
She then closes her book with these powerful lines:
"I have spent a lifetime looking for remedies to all manner of life's problems--personal, social, political, global. I am deeply suspicious of those who offer simple solutions and statements of absolute certainty or who claim full possession of the truth. Yet I have grown equally skeptical of those who suggest that all is too nuanced and complex for us to learn any lessons, that there are so many sides to everything that we can pursue knowledge every day of our lives and still know nothing for sure. I believe we can recognize truth when we see it, just not at first and not without ever relenting in our efforts to learn more. This is because the goal we seek, and the good we hope for, comes not as some final reward but as the hidden companion to our quest. It is not what we find, but the reason we cannot stop looking and striving, that tells us why we are here." ( 415-416)
This is so well said, and is the reason I love reading. How else could I ever learn the thoughts of this wise, experienced woman? Through books such as this, our journey is enhanced, our life experience enlarged, as we all seek after our purpose on this earth.
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Every June, the UK’s Chartered Institute of Library and Information Professionals awards the Carnegie Medal to the best British book for children and young adults for the past year. This medal is the equivalent of the Newbery Medal in the USA. Its sister medal, the Kate Greenaway Medal for illustrations, corresponds to our Caldecott award. This year, the 75th anniversary of the Carnegie Medal, one special book won both the Carnegie and Greenaway medals, which is unprecedented in the history of the awards.
When I saw that A Monster Calls was a merger of two enormous talents, I had to put everything else aside to read it. Siobhan Dowd, the first author to posthumously be awarded the Carnegie Medal in 2009 for Bog Child, and Patrick Ness, winner of last year's Carnegie Medal for Monsters of Men, are an explosive combination. Dowd died at age 47 of cancer after having written just four absolute gems for young adults but she left notes for an unfinished fifth book. Ness, who says he never met Dowd, was approached to write her last book. He says he took her ideas, but added his own thoughts and wrote in his own voice.
He commands the reader to make the necessary circle of input and to take the story and run with it, to "make trouble." And how could a reader not do so? Ness draws you in from the start. The pitch-perfect illustrations only add to the mood of the story. Incredibly, this was just the illustrator’s second book commission.
Conor is the thirteen year old protagonist of the story. His mother has cancer. Conor and his Mum are on their own since his father remarried and moved to America. His maternal grandmother lives nearby but she is a career woman and a source of friction, not comfort, to Conor. Although he hasn't consciously admitted it to himself, his mother is dying. Conor has a recurring nightmare that is his subconscious mind's admission of that fact. He is bullied at school, and even those who don't bully him have left him alone once they have heard of his sorrow. He is just very, very alone.
Into the void comes another monster. It is not the monster of his nightmares, but is a yew tree, growing in a churchyard, which he and his mother have watched from their window. The yew monster comes to him at 12:07, just after midnight. Here, Ness pulls in the Green Man themes of British/Celtic folklore. The yew, which can live over a thousand years, is symbolic of life and death and reincarnation. Many churchyards in Britain have yews that predate the Christian church and are indicative of ancient sacred sites. The yew is also the Green Man, who is viewed as both monster and mentor in ancient pagan religions.
The yew monster tells him three stories and these stories do not at all turn out as Conor expects. By the time the monster reaches the fourth story, a story he commands Conor to tell him, the reader has traversed the sorrow of life, the sorrow inherent in the knowledge that this is (in the words of my father), "not a permanent arrangement." The judges for the prestigious Carnegie Medal said, "We'd go so far as to say that this is one of the defining books of its generation.” Read it for yourself and see why.
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